Marviva's Strawmitments campaign invited Costa Ricans to twist their last plastic straw into a commitment ring, driving 127,000 petition signatures and a
Marviva Strawmitments Turned a Plastic Straw Into a National Commitment
Strawmitments is an integrated public interest campaign created by Orson for Marviva and published in Costa Rica in August 2019, inviting citizens to bend their final plastic straw into a commitment ring as a symbolic pledge to the planet and a direct demand that Congress pass Bill 20.985, the long-stalled single-use plastics legislation.
Marviva is a marine conservation NGO operating across Central America. In Costa Rica, the organisation had long cultivated the country's reputation as a regional environmental leader, producing documentaries and public information work on marine biodiversity, the Costa Rica Thermal Dome, and responsible fishing practices, according to marviva.net. By 2019, however, that green reputation was under quiet strain. Bill 20.985, which proposed a ban on single-use plastic straws, bags, and bottles, had sat before the Legislative Assembly for more than a decade without meaningful progress, as documented by Asamblea Go Cr. The gap between Costa Rica's celebrated environmental identity and its legislative inaction gave Marviva and Orson the precise tension their campaign needed.
The mechanics of Strawmitments were deliberately simple and participatory. Citizens were asked to take one last plastic straw, physically twist it into a ring shape, and wear it as a visible token of personal and collective commitment. The gesture translated a diffuse environmental concern into a tangible, shareable act. Alongside the physical ritual, the campaign drove signatures to an online petition formally supporting Bill 20.985, channelling symbolic participation into direct legislative pressure. Orson also collected straws from polluted beaches and transformed them into commitment rings that were sent to influencers, journalists, and politicians, according to orsoncr.com, extending the campaign's reach into media and government circles simultaneously. The campaign carried the hashtags #MiÚltimaPajilla and #ChaoPlásticoDesechable across social platforms, giving the social movement a bilingual, searchable identity that connected individual acts to a national environmental campaign.
Marviva and Orson identified a specific and exploitable contradiction at the heart of Costa Rican civic life. Costa Rica positions itself internationally as a conservation exemplar, and that identity carries genuine public pride. Exploiting the distance between that self-image and a decade of legislative inaction on Bill 20.985 gave the campaign an emotional hook that pure policy advocacy rarely achieves.
The competitive landscape for a public interest campaign of this kind is not measured against commercial rivals but against the inertia of institutional politics and the short attention spans of digital media. Environmental NGOs and public-policy initiatives addressing plastic pollution and marine conservation all competed for the same pool of public attention, media coverage, and legislative influence in Costa Rica in 2019. What distinguished Strawmitments from comparable environmental advocacy efforts was its refusal to remain abstract. Where many campaigns ask audiences to feel concern, Strawmitments asked them to make something, to wear something, and to sign something, converting passive sympathy into measurable civic action. The campaign reached approximately two million people through social networks, newspapers, radio, and television in Costa Rica, according to D1qqtien6gys07 Cloudfront, a scale of penetration that few NGO-led campaigns in the country had previously achieved.
The decision to place commitment rings directly in the hands of politicians and journalists was strategically precise. By making legislators physically hold the symbol of the public's commitment, Orson created an awkward but undeniable proximity between civic will and political decision-making. In the United States and across wealthier markets, such a tactic might have been absorbed without consequence, but in the smaller legislative ecosystem of Costa Rica, the gesture carried genuine relational weight. The campaign's architecture — personal ritual, social amplification, direct petition, and targeted political outreach — reflects a layered mobilisation strategy that treats the social experiment and the legislative outcome as inseparable goals.
Orson built Strawmitments around a single act of transformation. The creative insight was that the straw itself — ubiquitous, disposable, and already widely understood as an environmental problem — could become the medium of the message rather than merely its subject.
Julian Robert, Creative Director at Orson, submitted the campaign and is credited as the primary creative force behind its conception, as noted in campaign records cited by orsoncr.com. The decision to make the commitment ring entirely from the straw a person already possessed was essential to the campaign's accessibility. No additional materials, no specialist tools, no financial cost. The barrier to participation collapsed to almost nothing, which is precisely what a social experiment designed to achieve mass civic engagement requires. The ring format carried symbolic resonance that a petition signature alone could not generate: jewellery implies permanence, promise, and public visibility in a way that a clicked checkbox does not.
The campaign's integrated nature extended its creative logic across multiple channels simultaneously. Social content carrying #MiÚltimaPajilla and #ChaoPlásticoDesechable gave the movement a discoverable identity on digital platforms, while the physical distribution of beach-sourced commitment rings to journalists and politicians added a tactile, newsworthy dimension that earned the campaign substantial media coverage. According to orsoncr.com, the campaign generated more than three hundred thousand US dollars in earned media, a figure that reflects how effectively the creative concept translated into organic press interest. The documentary and social experiment framing of the campaign meant it was covered not merely as advertising but as civic news, which amplified its credibility considerably. Production credits beyond Julian Robert's creative direction are not publicly documented in available sources, but the integrated execution — spanning physical objects, social content, press strategy, and legislative outreach — indicates a coordinated multi-disciplinary effort across Orson's team.
Strawmitments produced outcomes that are rare for any public interest campaign, let alone one operating in a small Central American market. The campaign generated one hundred and twenty-seven thousand petition signatures in less than twenty-four hours, according to orsoncr.com, a rate of mobilisation that demonstrated the depth of latent public support for action on single-use plastics in Costa Rica.
The Legislative Assembly subsequently approved Bill 20.985 with unanimous support, according to asamblea.go.cr. That unanimous vote is not a detail to pass over lightly. Legislative unanimity in any democracy is exceptional; in the context of a bill that had stalled for more than a decade, it signals that the campaign succeeded in removing the political risk of action from the calculation entirely. The measure became Law No. 9786, approved on October 31, 2019, and published on December 6, 2019, according to Faolex Fao. In the same period, Costa Rica became the first country in Latin America to prohibit plastic straws, a distinction documented by greenwolfcr.org and corroborated by orsoncr.com. The campaign's earned media value exceeded three hundred thousand US dollars, according to orsoncr.com, achieved through organic press coverage rather than paid placement. The social movement reached approximately two million people across Costa Rica through combined social, broadcast, and print channels, according to d1qqtien6gys07.cloudfront.net. Clapboard rates Strawmitments at 74 out of 100, reflecting the campaign's strong strategic architecture, clear civic impact, and measurable legislative outcome, with room for greater creative documentation and broader production transparency.
Strawmitments was a 2019 public interest campaign created by Orson for Marviva in Costa Rica. It invited citizens to twist their last plastic straw into a commitment ring and sign an online petition supporting Bill 20.985, a long-stalled single-use plastics ban. The campaign combined physical symbolism with direct legislative advocacy.
Strawmitments directly preceded the unanimous passage of Bill 20.985 by Costa Rica's Legislative Assembly. The measure became Law No. 9786, signed on October 31, 2019, according to faolex.fao.org. Costa Rica became the first country in Latin America to ban plastic straws, a milestone documented by greenwolfcr.org and orsoncr.com.
The Strawmitments campaign collected one hundred and twenty-seven thousand petition signatures in less than twenty-four hours, according to orsoncr.com. That volume of rapid civic mobilisation applied direct public pressure on Costa Rica's Legislative Assembly and contributed to the unanimous approval of the single-use plastics legislation the campaign supported.
Orson, a Costa Rican advertising agency, created Strawmitments for the marine conservation NGO Marviva. Julian Robert, Creative Director at Orson, is credited as the campaign's submitting creative lead, according to orsoncr.com. The campaign was published in Costa Rica in August 2019 as an integrated public interest effort.
Strawmitments amplified its social movement across digital platforms using the hashtags #MiÚltimaPajilla, meaning My Last Straw, and #ChaoPlásticoDesechable, according to orsoncr.com. These bilingual tags gave the environmental campaign a searchable, shareable identity and helped it reach approximately two million people across Costa Rica through social, broadcast, and print channels.
Strawmitments generated more than three hundred thousand US dollars in earned media, according to orsoncr.com. The figure reflects the campaign's success in being covered as civic news rather than advertising, driven by the physical distribution of commitment rings to journalists and politicians and the rapid accumulation of petition signatures.
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