This BEE Environmental Communication campaign links coal mining to hand dryers, urging low-carbon choices through cinema PSA— Clapboard's Global Ad Archive.
The very good wishes - Publicis | Clapboard Ad Archive
Publicis Groupe’s The Very Good Wishes campaign in 2014 marked a distinct moment of creative self-promotion from the agency’s Paris headquarters, skillfully leveraging digital interactivity to reinforce its leadership within the media and entertainment market category. Conceived and executed by Publicis as both a brand-building exercise and a corporate philanthropy initiative, the campaign revolved around a highly engaging digital experience in which users were invited to synchronize their smartphones with their desktops to remote control a virtual claw machine and help recover and wrap presents misplaced in the office of then-CEO Mr. Lévy, directly tying the gamified mechanic to Publicis’s charitable donation to Make-A-Wish children that year. The approach sits squarely within Clapboard’s FORMAT#1 DEMONSTRATION category, forefronting not narrative or metaphor but the agency’s own technical and creative skills — the product being the live, user-driven system that showcased both its innovation and playful spirit. Integrating a tangible act of generosity with an irreverent office scenario, Publicis utilized the campaign to connect its brand story to real-world impact, dissolving distance between the corporation, its employees, and a wider, socially conscious audience. A dedicated URL and the hashtag theverygoodwishes reinforced the digital footprint, while seamless device synchronization elevated the experiential dimension far beyond standard web greetings, insisting on active participation as the means by which audiences engaged with the agency’s message and mission. Though self-promotional in concept, the creative execution allowed Publicis to position itself at the intersection of technology fluency and cultural empathy, reaffirming both relevance to modern audiences and commitment to causes beyond commerce. The direct, playful interaction was emblematic of French advertising’s longstanding appetite for wit and spectacle, but here, spectacle supported greater good in a campaign that was as accessible for its mechanics as it was pointed in its underlying narrative. The campaign earns 71/100 in Clapboard’s global creative archive. This work matters because it signals to the industry that purposeful brand communications in the agency space find their sharpest edge when the demonstration of expertise is inseparable from real-world impact.
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