We are Montréal: Get in the game! - Montréal International | Clapboard Ad Archive
We are Montréal: Get in the game!, developed by Montréal International with Rodeo FX as agency partner, is a 2021 campaign that asserts Montréal’s status as a premier global node for the convergence of gaming, visual effects, and animation, situating the city as a magnet for international investment and world-class creative talent. In an industry where ecosystem credibility and momentum are decisive for both expansion and new market entry, the campaign’s central idea is explicit: Montréal is the city where global-scale creative projects in media and entertainment are generated every day, powered by a dense concentration of studios, technical innovators, and an interlinked talent base. Montréal International’s message is direct — whether an audience is evaluating the territory for subsidiary setup, venture investment, or professional advancement, the city’s networked opportunities and institutional support stand ready at every juncture. The film medium serves as a showcase for the vibrancy and day-to-day dynamism of Montréal’s creative sector, leveraging high-energy visuals and localized industry narratives to deliver an open invitation to a dual audience: the decision-makers who shape industry trajectories and the skilled individuals whose capabilities drive project delivery. What Clapboard’s taxonomy identifies as FORMAT#10—Associated User Imagery—anchors the creative approach, with the work foregrounding aspirational user profiles that a prospective investor or creative professional can recognize or envision themselves within, instead of opting for abstract or solely informational content. Strategic hashtags like #MTLcreative and messaging architecture that directly addresses the video games industry, gaming sector, and VFX community propel the city’s promise into global digital conversation, reinforcing its active, opportunity-rich brand identity. The campaign positions Montréal not merely as a location, but as a participatory, high-growth ecosystem, with institutional guidance and facilitation presented as embedded characteristics rather than peripheral incentives. Integration into major digital channels and a sustained viewership in the upper six figures underline the campaign’s reach and relevance within the global entertainment category. The market category alignment with Media/Entertainment is deliberately evident throughout—Montréal is showcased as a destination that balances world-class production infrastructure with the creative latitude needed by studios like Ubisoft Montreal, Framestore, and ILM to bring groundbreaking projects to life. Clapboard rates this 63/100. Campaigns like this demonstrate that a city’s creative potential can be productized and made legible for both talent and capital, so long as the pitch remains grounded in the tangible proximity to opportunity that industry leaders actively seek.