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Ray
Description
In November 2024, The Entertainer, one of the world’s fastest-growing toy retailers, launched its biggest-ever Christmas TV advertising campaign, titled 'Ray,' created in partnership with their newly retained agency adam&eveDDB. This emotionally resonant 60-second film, debuting on ITV1 during a celebrity edition of The Chase, tells the heartfelt story of Ray, a once much-loved stuffed toy who feels sidelined as his owner’s affections shift to a remote-control monster truck. Set to a soulful cover of Roxette’s power ballad ‘It Must Have Been Love’ performed by British indie musician Baxter Dury, the campaign captures the bittersweet nature of childhood’s fleeting attachments, blending genuine heartbreak with a wry smile. The creative vision behind the campaign seeks to evoke both nostalgia and empathy, using a distinctive voice for Ray that is neither twee nor clichéd, aiming to stand out in the crowded Christmas advertising landscape. The narrative tugs at the heartstrings, balancing warmth and humor, and closes with the line “For the next love of their life,” positioning The Entertainer as the emotional choice for toy buyers during the festive season. Beyond the screen, Ray is brought to life as a limited-edition toy available in The Entertainer stores, online at Moonpig.com, and featured prominently in Tesco’s toy aisles and even hidden as an Easter egg in Tesco’s Christmas ad. Marketing Director Caroline Smith emphasizes that the campaign is designed to resonate with parents, relatives, and gift-givers who understand the powerful bond children form with their favourite toys, encouraging them to choose The Entertainer for their toy purchases. Chief Creative Officer Richard Brim highlights how the campaign views the fickle nature of children’s toy preferences through the eyes of Ray, delivering a compelling narrative that reinforces The Entertainer’s position as the go-to destination for Christmas toy shopping. Running across TV, BVOD, cinema, digital, and social media until December 24, 2024, the campaign combines storytelling, music, and strategic media placement to maximize emotional engagement and brand cut-through during the critical holiday retail period.
Credits
Client
The Entertainer
Agency
adam&eveDDB
Project
RAY
First Air Date
16th November 2024
Founder
Gary Grant
Ceo
Andrew Murphy
Marketing Director
Caroline Smith
Strategic Customer Marketing Manager
Olivia Delnevo-Harrison
Brand Marketing Executive
Jemima Preston
Chief Creative Officer
Richard Brim
Creative Director
Matt Gay & Feargal Ballance, Bill McNamara
Social Creative
Molly Johnstone
Producer
Sally Pritchett, James Waters, Nikki Porter, Ross Culligan
Strategic Planner
Martin Beverley, Catherine Willoughby
Campaign Proposition
The Entertainer’s 2024 Christmas campaign, created by adam&eveDDB, positions the brand as the essential destination for toy buyers during the festive season by tapping into the emotional reality of children’s shifting toy preferences. Through the narrative of Ray, a once-favourite stuffed toy now replaced by a new beloved remote-control truck, the campaign conveys the brand’s understanding of the transient but deeply felt attachments children form with their toys. This premise underscores The Entertainer’s promise to continuously offer the next “love of their life,” emphasizing availability, variety, and emotional resonance.
The campaign leverages a dual strategy combining emotional storytelling with a subtle layer of humor, differentiating it from more conventional, sentimental Christmas ads. By focusing on the perspective of the toy experiencing love lost, it humanizes the product and creates a relatable, heartstring-tugging experience aimed primarily at adults who shop for children—parents, relatives, and gift-givers. The decision to feature an established British indie artist covering Roxette’s “It Must Have Been Love” further accentuates a tone that balances authenticity with a touch of irony, appealing to a more discerning adult audience rather than a purely child-focused message.
Launching across diverse media platforms, including TV during prime-time family programming, digital, social, and cinema, the campaign is designed to maximize reach and cut through the crowded Christmas advertising landscape. By integrating Ray as a purchasable product—accessible in-store, online, and through partnerships like Tesco and Moonpig—the campaign translates emotional engagement into commercial action. Overall, the strategy hinges on empathy and humor to resonate with gift buyers and reinforce The Entertainer’s role as the go-to toy retailer for the season’s ever-changing playroom favorites.
Creative Device
FORMAT#5 EXEMPLARY STORY — Tells a story where the product plays a vital role in the plot or resolution.
This campaign is best classified as an Exemplary Story. The narrative centers on Ray, an anthropomorphized stuffed toy whose experience of being loved, then outgrown, is depicted with emotional depth and character-driven storytelling. The ad’s arc follows Ray’s journey from cherished to sidelined, capturing the bittersweet cycle of toy attachment—perfectly aligned with The Entertainer’s Christmas sales goal. The story’s resolution (the arrival of a new favorite toy and Ray’s availability in-store) deeply involves the product as both subject and object, decisively shaping the story’s outcome, while emotional cues and the voice track reinforce the product’s central role.
Chief Executive Officer
Miranda Hipwell
Business Director
Skye Gay
Account Management
Sophie Eyre, Cherith MacRitchie, Flora Hopewell
Project Manager
Tavie Agama, Charmaine Baley
Legal Counsel
Candice Macleod, Tom Campbell
Business Affairs Manager
Edan Cummins
Media
OMD
Client Partner
Andrew O’Flynn
Design
King Henry Studios
Head Of Design
Paul Knowles
Production House
MJZ
Crew
Davina Abrahams, Benji Edwards, Ben Ansell, Lena Almeida
Cinematographer
Anthony Dod Mantle
Costume
Michelle May
Post Production
Final Cut, Beth Massey & Ciara Wakley
Editor
Rick Russell
Vfx Studio
1920
Vfx Supervisors
Mike Farar, Jamie Stitson, Jorge Montiel Meurer
Motion Graphics Artist
Lucas Warren, Tony Wells, Weronika Holak, Victoria Stuart, Lewys Rhodes, Oscar Carambano, Adrian Russell, Grace Davison, Alex Rumsey, Tiago Craft, Matilda Craig, Josh Curtis
Dmp Artist
Jordan Haynes, Emilis Baltrusaitis
Colour Grading Company
Company 3
Colourist
Jean Clement
Colour Producer
Ellora Soret
Music
Baxter Dury & JGrrey 'It Must Have Been Love', Factory Studios
Publisher
“Universal Music Publishing Ltd. on behalf of Jimmy Fun Music”
Music Supervision
Leland
Music Supervisors
Abi Leland & Dhamirah Coombes
Arranger
Joel Cadbury
Sound Design And Mix
Anthony Moore
Automotive
The Clapboard Ad Archive features iconic automotive commercials and brand campaigns, offering valuable insights for creative and marketing
Competitive Planks
Smyths Toys – Market Positioning
Smyths Toys positions itself as a large-scale, family-friendly toy retailer offering a vast product range across prices and categories. It focuses on value, convenience with strong physical store presence and online shopping, and often leverages exclusive toy ranges and licensed products to attract families looking for variety and trusted brands.
Hamleys – Market Positioning
Hamleys differentiates as a premium, experiential toy retailer renowned for its flagship store in London and emphasis on magical, immersive retail experiences. It targets families seeking quality, popular brands, and unique, interactive shopping moments that foster nostalgia and tradition during gifting occasions.
Argos – Market Positioning
Argos operates as a general merchandise retailer with a strong toy section, blending convenience and speed with an extensive online and catalogue-based shopping model. It leverages fast delivery, competitive pricing, and a broad product range to appeal to practical and price-conscious consumers.
The Lego Store – Market Positioning
The Lego Store focuses on a specialized niche of high-quality, creativity-driven toys, emphasizing brand heritage, innovation, and educational value. It appeals to fans and collectors by offering exclusive products and in-store building experiences, fostering loyalty through engagement and the appeal of the Lego brand.
Amazon UK – Market Positioning
Amazon UK dominates with e-commerce convenience, vast inventory, competitive pricing, and fast delivery options. It positions itself as a one-stop online marketplace where customers find effortless access to a wide selection of toys, supported by customer reviews and personalized recommendations for holiday and everyday purchases.